"Outsourced" outsourced to Mars. OK, the show has an attractive-looking cast. And the film that suggested the TV series was sweet and mildly amusing. - But you know what's funny about the TV show? When the customer service guy from India tells someone he's in Detroit. Ha-ha. That's especially hi-larious to those of us living (and barely making a living) in Detroit. This show is perfect proof that the coked-up network Suits have no clue what's really happening in Flyover Country.
- I really need Leslie Knope, Ron Effin' Swanson, MouseRat & "Shut up, Jerry" back on the teevee. ASAP. In the plum 9:30 spot the network maroons gave to "Outsourced."
- I've heard no buzz at all about it, but I had hopes "Raising Hope" would be good. Because for some reason I loved the "threw up on the baby" bit.
- "Wesley Snipes" and Liz Lemon getting together. Curling up under the Snuggie, enjoying a cheesy blaster, watching a DVD of "Chums." (Tina Fey, you managed to sink my good ship Jack& Liz. So gimme this at least.)
- Julianna Margulies' character getting together with Josh/Dan from "Sports Night"?
Or "Sports Night" coming back.- On a bill back-to-back with "Better Off Ted." Followed by "Moonlighting," "Gilmore Girls" and "Northern Exposure."
- "Dancing With the Stars" with actual stars. Which means actors, musicians, athletes. Not someone whose claim to fame is being a dope on "reality" shows or the daughter of a dope in politics.
- All reality TV disappearing. Except the ones I occasionally watch.
- Two-and-a-Half Men getting outsourced to Uranus.
- My name in the credits somewhere.
Showing posts with label Moonlighting. Show all posts
Showing posts with label Moonlighting. Show all posts
Friday, September 10, 2010
Things I Need to See on TV This Year
Friday, July 9, 2010
Emmys: Get With the (Parks & Recreation) Program!
After all these years, after seeing how you so often ignored other programs with just that right combination of warm and weird, offbeat and endearing - Moonlighting and Northern Exposure and The Gilmore Girls - I should know better.
Why is the best comedy not nominated for best comedy? Why is a show that was consistently funny and filled with heart, not getting one slot for writing? And what about Nick Offerman being snubbed for supporting (scene-stealing) actor?
Well, I'm speechless. So I'd like Ron to give the speech "honoring" the other shows that did get the nod. Other shows: "It is true. That you have won this award."
At least we have Amy. As sweetly strong, slightly crazed Leslie. Who can't figure out why anyone would rather be Cleopatra than Eleanor Roosevelt. Leslie who insists "I'm Not Nervous" about this date. Leslie, who just happens to have Amy Poehler's gift for singing and rapping.
And somehow the jaunty little theme song snuck in for a nom too. So Emmy voters, perhaps next year, you'll watch the show all the way through. Not just the opening credits. And then we can all sing Kum Bay Yah together. Or maybe Jabba the Hutt, Jabba the Hutt.
Why is the best comedy not nominated for best comedy? Why is a show that was consistently funny and filled with heart, not getting one slot for writing? And what about Nick Offerman being snubbed for supporting (scene-stealing) actor? Well, I'm speechless. So I'd like Ron to give the speech "honoring" the other shows that did get the nod. Other shows: "It is true. That you have won this award."
At least we have Amy. As sweetly strong, slightly crazed Leslie. Who can't figure out why anyone would rather be Cleopatra than Eleanor Roosevelt. Leslie who insists "I'm Not Nervous" about this date. Leslie, who just happens to have Amy Poehler's gift for singing and rapping.
Wednesday, September 30, 2009
09 Fall TV Season & The Good Olde Days
As I wrote elsewhere, I'm either A) A fussy/ bitter old curmudgeon or B) A high-minded aesthete/ cognoscente/ other fancy-schmancy French words.
But I'm just not feeling the love for any new shows this fall 2009.
Some people are raving about “Modern Family.” I sampled a few minutes of it and went away "meh." I liked the Robert Sawyer book that "Flash Forward" is based on. But I wasn't super-enthused about the series pilot (which bears little resemblance to the novel anyway).
I saw Community's pilot during a special Facebook promotion weeks ago - also underwhelmed. (Although this week's preview did give me an LOL moment.)
Meanwhile, though, my affection for Amy Poehler, and now some of the other characters on Parks and Rec has made me stick with that show - despite the fact I'm not a fan of the Office-style of dry humor or of mockumentaries. (And I’m looking forward to 30R & Better Off Ted’s returns, natch.)
Speaking of P & R/ The Office, I can remember in a screenwriting class years ago being told flashbacks were a no-no. Then sitcoms did it for laughs and LOST did it for intensive backstory (or the occasional unintentional laugh?). And now mockumentaries AND flashbacks are the thing these days. But an old-fashioned part of my brain still says they’re both a lazy way of storytelling.
What I really have loved most in TV history were the hour-long hybrids like Moonlighting and Northern Exposure. (But thanks Sarah Palin for more recently ruining my vision of Alaska as a funky utopia.) What happened to those kind of shows? Oh yes, there’s still a lot of pretenders to that throne. But Castle? Desperate Housewives? Just lacking something for me.
I know - go write your own. And I certainly am working on my own projects. But it’s hard to come up with a sample script for a current series, hourlong, when you can’t quite jell with anything out there.
Waaah. Tiny violin. Shut up and write.
But I'm just not feeling the love for any new shows this fall 2009.
Some people are raving about “Modern Family.” I sampled a few minutes of it and went away "meh." I liked the Robert Sawyer book that "Flash Forward" is based on. But I wasn't super-enthused about the series pilot (which bears little resemblance to the novel anyway).
I saw Community's pilot during a special Facebook promotion weeks ago - also underwhelmed. (Although this week's preview did give me an LOL moment.)
Meanwhile, though, my affection for Amy Poehler, and now some of the other characters on Parks and Rec has made me stick with that show - despite the fact I'm not a fan of the Office-style of dry humor or of mockumentaries. (And I’m looking forward to 30R & Better Off Ted’s returns, natch.)
Speaking of P & R/ The Office, I can remember in a screenwriting class years ago being told flashbacks were a no-no. Then sitcoms did it for laughs and LOST did it for intensive backstory (or the occasional unintentional laugh?). And now mockumentaries AND flashbacks are the thing these days. But an old-fashioned part of my brain still says they’re both a lazy way of storytelling.
What I really have loved most in TV history were the hour-long hybrids like Moonlighting and Northern Exposure. (But thanks Sarah Palin for more recently ruining my vision of Alaska as a funky utopia.) What happened to those kind of shows? Oh yes, there’s still a lot of pretenders to that throne. But Castle? Desperate Housewives? Just lacking something for me.
I know - go write your own. And I certainly am working on my own projects. But it’s hard to come up with a sample script for a current series, hourlong, when you can’t quite jell with anything out there.
Waaah. Tiny violin. Shut up and write.
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