"Outsourced" outsourced to Mars. OK, the show has an attractive-looking cast. And the film that suggested the TV series was sweet and mildly amusing. - But you know what's funny about the TV show? When the customer service guy from India tells someone he's in Detroit. Ha-ha. That's especially hi-larious to those of us living (and barely making a living) in Detroit. This show is perfect proof that the coked-up network Suits have no clue what's really happening in Flyover Country.
- I really need Leslie Knope, Ron Effin' Swanson, MouseRat & "Shut up, Jerry" back on the teevee. ASAP. In the plum 9:30 spot the network maroons gave to "Outsourced."
- I've heard no buzz at all about it, but I had hopes "Raising Hope" would be good. Because for some reason I loved the "threw up on the baby" bit.
- "Wesley Snipes" and Liz Lemon getting together. Curling up under the Snuggie, enjoying a cheesy blaster, watching a DVD of "Chums." (Tina Fey, you managed to sink my good ship Jack& Liz. So gimme this at least.)
- Julianna Margulies' character getting together with Josh/Dan from "Sports Night"?
Or "Sports Night" coming back.- On a bill back-to-back with "Better Off Ted." Followed by "Moonlighting," "Gilmore Girls" and "Northern Exposure."
- "Dancing With the Stars" with actual stars. Which means actors, musicians, athletes. Not someone whose claim to fame is being a dope on "reality" shows or the daughter of a dope in politics.
- All reality TV disappearing. Except the ones I occasionally watch.
- Two-and-a-Half Men getting outsourced to Uranus.
- My name in the credits somewhere.
Showing posts with label Northern Exposure. Show all posts
Showing posts with label Northern Exposure. Show all posts
Friday, September 10, 2010
Things I Need to See on TV This Year
Wednesday, September 30, 2009
09 Fall TV Season & The Good Olde Days
As I wrote elsewhere, I'm either A) A fussy/ bitter old curmudgeon or B) A high-minded aesthete/ cognoscente/ other fancy-schmancy French words.
But I'm just not feeling the love for any new shows this fall 2009.
Some people are raving about “Modern Family.” I sampled a few minutes of it and went away "meh." I liked the Robert Sawyer book that "Flash Forward" is based on. But I wasn't super-enthused about the series pilot (which bears little resemblance to the novel anyway).
I saw Community's pilot during a special Facebook promotion weeks ago - also underwhelmed. (Although this week's preview did give me an LOL moment.)
Meanwhile, though, my affection for Amy Poehler, and now some of the other characters on Parks and Rec has made me stick with that show - despite the fact I'm not a fan of the Office-style of dry humor or of mockumentaries. (And I’m looking forward to 30R & Better Off Ted’s returns, natch.)
Speaking of P & R/ The Office, I can remember in a screenwriting class years ago being told flashbacks were a no-no. Then sitcoms did it for laughs and LOST did it for intensive backstory (or the occasional unintentional laugh?). And now mockumentaries AND flashbacks are the thing these days. But an old-fashioned part of my brain still says they’re both a lazy way of storytelling.
What I really have loved most in TV history were the hour-long hybrids like Moonlighting and Northern Exposure. (But thanks Sarah Palin for more recently ruining my vision of Alaska as a funky utopia.) What happened to those kind of shows? Oh yes, there’s still a lot of pretenders to that throne. But Castle? Desperate Housewives? Just lacking something for me.
I know - go write your own. And I certainly am working on my own projects. But it’s hard to come up with a sample script for a current series, hourlong, when you can’t quite jell with anything out there.
Waaah. Tiny violin. Shut up and write.
But I'm just not feeling the love for any new shows this fall 2009.
Some people are raving about “Modern Family.” I sampled a few minutes of it and went away "meh." I liked the Robert Sawyer book that "Flash Forward" is based on. But I wasn't super-enthused about the series pilot (which bears little resemblance to the novel anyway).
I saw Community's pilot during a special Facebook promotion weeks ago - also underwhelmed. (Although this week's preview did give me an LOL moment.)
Meanwhile, though, my affection for Amy Poehler, and now some of the other characters on Parks and Rec has made me stick with that show - despite the fact I'm not a fan of the Office-style of dry humor or of mockumentaries. (And I’m looking forward to 30R & Better Off Ted’s returns, natch.)
Speaking of P & R/ The Office, I can remember in a screenwriting class years ago being told flashbacks were a no-no. Then sitcoms did it for laughs and LOST did it for intensive backstory (or the occasional unintentional laugh?). And now mockumentaries AND flashbacks are the thing these days. But an old-fashioned part of my brain still says they’re both a lazy way of storytelling.
What I really have loved most in TV history were the hour-long hybrids like Moonlighting and Northern Exposure. (But thanks Sarah Palin for more recently ruining my vision of Alaska as a funky utopia.) What happened to those kind of shows? Oh yes, there’s still a lot of pretenders to that throne. But Castle? Desperate Housewives? Just lacking something for me.
I know - go write your own. And I certainly am working on my own projects. But it’s hard to come up with a sample script for a current series, hourlong, when you can’t quite jell with anything out there.
Waaah. Tiny violin. Shut up and write.
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